Biography Publications Events Press Blog Contact
tumblrFacebookTwitter
Twitter
Links
Blogroll
 


Ill Will Review from Dallas Morning News

March 15, 2017

A welcome change from mainstream thriller writing — too few writers prize atmosphere as much as narrative tautness. With Ill Will, Chaon succeeds at delivering both.


Share on Facebook and Twitter | reviews


Ill Will reviewed in Chicago Tribune

March 15, 2017

A ranking master among neo-pulp stylists (his 2001 story collection, “Among the Missing,” was a finalist for the National Book Award), Chaon adds to the book’s disorienting effects by playing with the physical text. Some chapters take the form of parallel columns, two or three to a page. White spaces and uneven alignments push words, sentences — and thoughts — apart. Dustin’s utterances frequently are unpunctuated, true to his tendency to drift off before completing a thought.

While such touches underscore the author’s playful approach, the writerly stagecraft keeps the reader off guard and sometimes on edge, in a kind of altered cognitive state. There’s a lot going on under the surface of “Ill Will” — more than one reading will reveal. Going back and reading this oddly compelling book again will only provide more pleasure.


Share on Facebook and Twitter | reviews


Ill Will reviewed in Pittsburgh Post-Gazette

March 15, 2017

“the most disturbing novel I’ve ever read.”




ILL WILL Soundtrack on Largehearted Boy!

March 15, 2017

Music that inspired Ill Will




Review of ILL WILL in National Post

March 15, 2017

Dan Chaon’s Ill Will follows a broken man as his life takes another sharp turn into the darkness

Were Ill Will only a skilled dismembering of a man’s self-image in pursuit of deeper truths, it would be impressive enough, but there’s so much more going on. To Chaon’s credit, Ill Will actually contains answers to its central mysteries – the death of Tillman’s family and the contemporary deaths – as well as resolutions to its central conflicts and questions – including Tillman’s relationships with Russell and Aaron – but these answers and resolutions are ultimately as unsettling as the mysteries and questions themselves. Ill Will serves as a vivid reminder of the sheer power of story, the force by which we shape our lives, and which can also tear them down.


Share on Facebook and Twitter | reviews


Review of ILL WILL in Los Angeles Times

March 15, 2017

Chaon is one of America’s best and most dependable writers, and in the end, “Ill Will” is a ruthlessly “realistic” piece of fiction about the unrealistic beliefs people entertain about their world. Reminiscent of the darkest psychological thrillers, such as George Sluizer’s film “The Vanishing” or the convoluted, unreliably narrated novels “The Horned Man” by James Lasdun and “Spider” by Patrick McGrath, it is ultimately a wider, less personality-bound story than any of those.

The problem of our world, Chaon seems to argue, is not simply that individuals tell themselves stories they shouldn’t believe, but rather that everyone is constantly telling themselves (and everybody else) unbelievable stories all the time. And amid the looping freeway interchanges of storytelling, the exit signs are often impossible to find.




Interview with Edan Lepucki @ The Millions

March 15, 2017

Whole Lives Are Dedicated to Not Thinking About Something.


Share on Facebook and Twitter | interviews


Ill Will in Newsweek

March 15, 2017

“One of the best thrillers I’ve encountered in a very, very long time, Dan Chaon’s latest novel will chill you to the bone and keep you guessing at every turn.”—Newsweek




Ill Will Reviewed by The Washington Post

March 15, 2017

The scariest novel of the year!–Ron Charles




Ill Will Reviewed by Entertainment Weekly

March 15, 2017

“Reading a truly terrifying novel can make you feel like your’e drowning: As much as you may want to surface and catch your breath, the plot holds you in its grip….As Chaon moves nimbly between viewpoints, calling memories and relationships into question, a powerful undercurrent of dread begins to form beneath the story, slowly but inexorably pulling you under.”—Entertainment Weekly



« Previous PageNext Page »